{"id":2743,"date":"2015-03-27T15:45:22","date_gmt":"2015-03-27T15:45:22","guid":{"rendered":"http:\/\/suffolktango.org.uk\/?page_id=2743"},"modified":"2023-08-12T20:37:26","modified_gmt":"2023-08-12T20:37:26","slug":"previous-topics","status":"publish","type":"page","link":"https:\/\/suffolktango.org.uk\/index.php\/information\/previous-topics\/","title":{"rendered":"Previous Guest Teacher Workshops Topics"},"content":{"rendered":"<h1 style=\"text-align: center;\">Previous Guest Teacher Workshop Topics<\/h1>\n<p>Here are some of the previous topics for the Sunday workshops at Henley. (Click <a href=\"http:\/\/suffolktango.org.uk\/index.php\/choseclasses\/henley-sundays\/\">here<\/a> for the forthcoming workshops at Henley).<\/p>\n<h2><strong>2023<\/strong><\/h2>\n<p>Jun: <strong>Martin Espindola<\/strong> of <a href=\"https:\/\/www.tangoterra.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango Terra<\/a><\/p>\n<ul>\n<li>Sacada Masterclass<\/li>\n<li>Circular Movements in Milonga, including cadenas and changes of direction<\/li>\n<\/ul>\n<h2><strong>2023<\/strong><\/h2>\n<p>Apr: <strong>Martin Espindola<\/strong> of <a href=\"https:\/\/www.tangoterra.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango Terra<\/a> assisted by <strong>Miriam Gita<\/strong><\/p>\n<ul>\n<li>Vals Technique<\/li>\n<li>Vals Masterclass<\/li>\n<\/ul>\n<p>Feb: <strong>Martin Espindola<\/strong> of <a href=\"https:\/\/www.tangoterra.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango Terra<\/a><\/p>\n<ul>\n<li>Out of Axis<\/li>\n<li>Spirals and Fluidity<\/li>\n<\/ul>\n<h2><strong>2022<\/strong><\/h2>\n<p>Nov: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Milonga: how to add some joyful elements to the dance. Learning how listening to the rhythm and phrasing of the music can and make\u00a0 Milonga more playful.<\/li>\n<\/ul>\n<p>Oct: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Dancing in small spaces. Make your tango more dynamic. Learn or refresh some moves, including the calesita to make your tango even more enjoyable to dance.<\/li>\n<\/ul>\n<p>Mar: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>\u201cExploring Giros\u201d<\/li>\n<li>\u201cGiros with Sacadas\u201d<\/li>\n<\/ul>\n<h2><strong>2021<\/strong><\/h2>\n<p>Nov: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>\n<p class=\"western\">&#8220;Enhancing your Dance \u2013 Merging Music, Steps and Technique\u201c<\/p>\n<\/li>\n<\/ul>\n<p>Oct: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>\n<p class=\"western\">&#8220;Enhancing your Dance \u2013 Merging Music, Steps and Technique\u201c<\/p>\n<\/li>\n<\/ul>\n<p>Sep: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>\n<p class=\"western\">\u201cRejuvenate your tango \u2013 walking, cross system and musical phrasing\u201c<\/p>\n<\/li>\n<\/ul>\n<h2><strong>2020<\/strong><\/h2>\n<p>Feb: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Musical giros and exits from the giro<\/li>\n<li>Smooth starts to the giro<\/li>\n<\/ul>\n<h2><strong>2019<\/strong><\/h2>\n<p>Nov: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Putting Extra Spice into Milonga<\/li>\n<li>Bringing it all together: the embrace, the walk and the music<\/li>\n<\/ul>\n<p>Oct: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Putting Spice into Milonga<\/li>\n<li>Bringing together the embrace, the walk and the music<\/li>\n<\/ul>\n<p>May: <strong>Kate Isotta and Tony Ramsay<\/strong> of Tango Abrazo<\/p>\n<ul>\n<li class=\"western\">Using the middle of the step for alterations, especially in vals<\/li>\n<li class=\"western\">A simple sacada and further adventures with the giro<\/li>\n<\/ul>\n<p>Mar: <strong>Kate Isotta and Tony Ramsay<\/strong> of Tango Abrazo<\/p>\n<ul>\n<li>Exploring the Dark Side \u2013 working on the closed side of the embrace in tango, milonga and vals<\/li>\n<li>The Space Between \u2013 how to give yourself more time in every step, improve your stability and open new possibilities in the dance<\/li>\n<\/ul>\n<h2><strong>2018<\/strong><\/h2>\n<p>Nov: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Circularity and Rhythm in Vals<\/li>\n<li>Playing with the melody in Vals<\/li>\n<\/ul>\n<p>Oct: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Vals \u2013 making it flow<\/li>\n<li>Beyond the Cross \u2013 Honing the cross and then adding some special exits<\/li>\n<\/ul>\n<p>Jul: <strong>Luis Rodriguez and Elizabeth Knock<\/strong> of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>Milonga Traspie Lateral \u2013 a double-time whenever you need one<\/li>\n<li>Milonga Lisa (smooth) \u2013 Finding and using the musical phrases to increase your enjoyment of Milonga<\/li>\n<\/ul>\n<p>May:\u00a0<strong>Luis Rodriguez and Elizabeth Knock <\/strong>of <a href=\"https:\/\/tangoynadamas.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tango y Nada Mas<\/a><\/p>\n<ul>\n<li>The emblematic figure \u2018Salida del 40\u2019<\/li>\n<li>Developing the skill of embracing the walk and the music<\/li>\n<\/ul>\n<p>Mar: <strong>Kate Isotta and Tony Ramsay<\/strong> of Tango Abrazo<\/p>\n<ul>\n<li>Playful Elements and Surprises: Ways to keep your dance fresh and alive by introducing the unexpected<\/li>\n<li>Starting and Finishing: Twenty Ways to Start a Tango and One Seriously Classy Finish<\/li>\n<\/ul>\n<p>Jan:\u00a0<strong>Kate Isotta and Tony Ramsay<\/strong> of Tango Abrazo<\/p>\n<ul>\n<li>The Road to Poise and Fluidity. Exploring the Axis<\/li>\n<li>Leg Displacements and Tasty Turns<\/li>\n<\/ul>\n<h2><strong>2017<\/strong><\/h2>\n<p>Sep: <strong>Kate Isotta and Tony Ramsay<\/strong> of Tango Abrazo<strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>New possibilities \u2013 exploring the closed side of the embrace<\/li>\n<li>Moving in opposition. The perfect ocho cortado<\/li>\n<\/ul>\n<p>Jul: <strong>Kate Isotta and Tony Ramsay <\/strong>of Tango Abrazo<strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>The Art of Soft \u2013 exploring sensitivity and responsiveness<\/li>\n<li>Milonga Essentials \u2013 a toolkit for dancers<\/li>\n<\/ul>\n<p>May: <strong>Kate Isotta and Tony Ramsay <\/strong>of Tango Abrazo<strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>A sacada toolkit<\/li>\n<li>Mastering the Giro<\/li>\n<\/ul>\n<p>Mar: <strong>Kate Isotta and Tony Ramsay <\/strong>of Tango Abrazo<strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>The Cross and Some Variations<\/li>\n<li>Spirals \u2013 a look at the way of getting the essential quality of flow into your turns<\/li>\n<\/ul>\n<p>Jan: <strong>Kate Isotta and Tony Ramsay <\/strong>of Tango Abrazo<strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>Dancing With Strangers \u2013 practical ways of improving the tango conversation; plus a surprising pivot with a nice suspension<\/li>\n<li>Tango Toolkit Part 1: Changes of Direction \u2013 finding freedom on the dance floor<\/li>\n<\/ul>\n<h2><strong>2016<\/strong><\/h2>\n<p>Nov: <strong>Caro Hosier<\/strong><\/p>\n<ul>\n<li>Dancing Nuevo Tango<\/li>\n<\/ul>\n<p>July (Manor Ballroom): <strong>Solveig and Bogdan<\/strong><\/p>\n<ul>\n<li>The rolling embrace and tight turns.<\/li>\n<\/ul>\n<p>June (Manor Ballroom): <strong>Omar Sosa<\/strong><\/p>\n<ul>\n<li>When you are up you are up, when you are down you are down.<\/li>\n<\/ul>\n<p>March and April: <strong>Kate Isotta and Tony Ramsay<\/strong><\/p>\n<ul>\n<li>Off Axis Adventures<\/li>\n<li>Free Up Your Dancing \u2013 The Cross-Foot Cross<\/li>\n<\/ul>\n<h2><strong>2015<\/strong><\/h2>\n<p>Nov: <strong>Caro Hosier<br \/>\n<\/strong><\/p>\n<ul>\n<li>Nuevo immersion<\/li>\n<\/ul>\n<p>Oct:<strong> Siobhan Richards<\/strong><\/p>\n<ul>\n<li>colgaditas in a close embrace<\/li>\n<li>Spice up your dance: musical finesses for him and her dancing ochos<\/li>\n<\/ul>\n<p>May: <strong>Siobhan Richards<\/strong><\/p>\n<ul>\n<li>Rhythmic turns for Vals.<\/li>\n<li>Salon-friendly Boleos<\/li>\n<\/ul>\n<p>April: <strong>Raquel Greenberg<\/strong><\/p>\n<ul>\n<li>Milonga technique and Musicality.\u00a0 Fine tuning the lead and follow and with some fun combinations.<\/li>\n<li>Giros develop a good connection and technique. Control of start and finish of a giro and play with simple but useful combination.<\/li>\n<\/ul>\n<p>March : <strong>Raquel and Diego<\/strong><\/p>\n<ul>\n<li>Milonga &#8211; musicality and rhythm and how to use the double time and other syncopas (12 months plus)<\/li>\n<li>Giros &#8211; techniques and combinations in closed and open embrace (12 months plus)<\/li>\n<\/ul>\n<p>Feb : <strong>Amir Giles<\/strong><\/p>\n<ul>\n<li>Rhythmic variations and decorations<\/li>\n<li>Men: Leading and being led (plus women interested in leading)<\/li>\n<\/ul>\n<p>Jan : <strong>Michael Lavocah <\/strong><\/p>\n<ul>\n<li>Milonga from basics to ochos and giros &#8211; all levels<\/li>\n<li>All levels : Changing the embrace<\/li>\n<\/ul>\n<h2><strong>2014<\/strong><\/h2>\n<p>November:<strong> Mabel Rivero<\/strong><\/p>\n<ul>\n<li>Creating romantic moments in your dance<\/li>\n<li>Ladies &#8211; continuity and support<\/li>\n<\/ul>\n<p>October : <strong>Siobhan Richards <\/strong><\/p>\n<ul>\n<li>Combining turns, changing direction within a turn<\/li>\n<li>Ladies poise and styling.<\/li>\n<\/ul>\n<p>April :\u00a0<strong>Siobhan Richards <\/strong><\/p>\n<ul>\n<li>Dynamic walking turns for tango and vals<\/li>\n<li>Improver: Playful ocho cortado variations.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Previous Guest Teacher Workshop Topics Here are some of the previous topics for the Sunday workshops at Henley. (Click here for the forthcoming workshops at Henley). 2023 Jun: Martin Espindola of Tango Terra Sacada Masterclass Circular Movements in Milonga, including <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/suffolktango.org.uk\/index.php\/information\/previous-topics\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":26,"featured_media":0,"parent":979,"menu_order":70,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2743","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":44,"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/2743\/revisions"}],"predecessor-version":[{"id":11494,"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/2743\/revisions\/11494"}],"up":[{"embeddable":true,"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/979"}],"wp:attachment":[{"href":"https:\/\/suffolktango.org.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}